Índice de Materias
INTRODUCCIÓN A LA MÚSICA COMPUTACIONAL
SuperCollider: Procesador de efectos genérico
  Índice General
  Índice de Materias
- 1
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Mathew Adkins.
Acoustic chains in acousmatic music.
http://www.hud.ac.uk/schools/music/humanities/music/newmusic/acoustic_chains.html, 1999.
- 2
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Balázs Bank, János Márkus, Attila Nagy, and László Sujbert.
Signal and physics-based sound synthesis of musical instruments.
Periodica Polytechnica Ser. El. Eng., 47(3-4):269-295, 2004.
- 3
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Gerald Bennett.
Thoughts on the oral culture of electroacoustic music.
http://www.computermusic.ch/files/articles/Thoughts on the
Oral.html, 1995.
- 4
-
Pierre Boeswillwald.
Analysis in the electroacoustic world.
In Analysis in Electroacoustic Music. Proceedings Volume
II of the works of the International Academy of Electroacoustic
Music, Bourges, 1996.
- 5
-
Albert S. Bregman.
Auditory scene analysis.
MIT Press, 1990.
- 6
-
Rodolfo Caesar.
The Composition of Electroacoustic Music.
PhD thesis, University of East Anglia, 1992.
- 7
-
Leo Camilleri.
Electro-acoustic music: analysis and listening processes.
Retrieved March 31, 2004 from
http://www.sonus-online.org/camilleri.htm.
1993.
- 8
-
Nicolas Castagne and Claude Cadoz.
Creating music by means of ``physical thinking'' : The musician
oriented genesis enviroment.
In 5th international Conference on Digital Audio Effects
(Dafx-02), pages 169-174, Hamburg, Germany, 2002.
- 9
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Perry R. Cook.
Real sound synthesis for interactive applications.
A K Peters, Natick Mass, 2002.
- 10
-
François Delalande.
Music analysis and reception behaviors: Sommeil by pierre henry.
Journal of New Music Research, 27:13-66, 1998.
- 11
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Charles Dodge and Thomas A. Jerse.
Computer music : synthesis, composition, and performance.
Schirmer Books ; Prentice Hall International, New York London, 2nd
edition, 1997.
- 12
-
Sophie Donnadieu.
Mental Representation of the Timbre of Complex Sounds,
chapter 8.
Springer, New York, 2007.
- 13
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Francesco Giomi and Marco Ligabue.
Understanding electroacoustic music: analysis of narrative strategies
in six early compositions.
Organised Sound, 3(1):45-49, 1998.
- 14
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Mara Helmut.
Multidimensional representation of electroacoustic music.
Journal of New Music Research, 25:77-103, 1996.
- 15
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Pablo Irarrázaval.
Análisis de señales.
McGraw-Hill Interamericana, Santiago (Chile), 1999.
Pablo Irarrazaval M. il. ; 23 cm. 20010913.
- 16
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David A. Jaffe.
Ten criteria for evaluating synthesis techniques.
Computer Music Journal, 19(1):76-87, 1995.
- 17
-
Mari Riess Jones and William Yee.
Attending to auditory events: the role of temporal
organization, chapter 4, pages 69-112.
Clarendon Press, New York, 1993.
- 18
-
Francisco Kröpfl.
An approach to the analysis of electroacoustic music.
In Analysis in Electroacoustic Music. Proceedings Volume
II of the works of the International Academy of Electroacoustic
Music, Bourges, 1996.
- 19
-
F. Richard Moore.
Elements of computer music.
Prentice Hall, Englewood Cliffs, N.J., 1990.
- 20
-
Jay W. Morthenson.
The concept of meaning in electronic music.
In Proceedings of the ICEM Conference on Electro-acoustic
Music, Stockholm, 1985.
- 21
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Michael Norris.
The status of analysis in an electroacoustic context.
http://farben.latrobe.edu.au/mikropol/volume5/norris_m/norris_m.html,
1999.
- 22
-
Giovanni De Poli.
A tutorial on digital sound synthesis techniques.
Computer Music Journal, 7(4), 1983.
- 23
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Pietro Polotti and Gianpaolo Evangelista.
Fractal additive synthesis via harmonic-band wavelets.
Computer Music Journal, 25(3):22-37, 2001.
- 24
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Pietro Polotti, Fritz Menzer, and Gianpaolo Evangelista.
Inharmonic sound spectral modeling by means of fractal additive
synthesis.
In Proceedings of the 5th Conference on Digital Audio Effects,
Hamburg, Germany, 2002.
- 25
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Stephen T. Pope.
Why is good electroacoustics music so good? why is bad
electroacoustic music so bad?
Computer Music Journal, 18(3), 1994.
- 26
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Curtis Roads.
Musical signal processing.
Studies on new music research 2. Swets & Zeitlinger, Lisse
Netherlands ; Exton PA, 1997.
- 27
-
Curtis Roads.
The computer music tutorial.
MIT Press, Cambridge, Mass., 4th edition, 1999.
- 28
-
Curtis Roads.
Microsound.
MIT Press, Cambridge, Mass., 2001.
- 29
-
Axel Röbel.
Neural network modeling of speech and music signals.
In Neural Network Information Processing Systems 9, NIPS 96,
Denver, 1996.
- 30
-
Axel Röbel.
Synthesizing natural sounds using dynamic models of sound attractors.
Computer Music Journal, 25(2):46-61, 2001.
- 31
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Nicola Sani.
Thoughts on analysis of electroacoustic music.
In Analysis in Electroacoustic Music. Proceedings Volume
II of the works of the International Academy of Electroacoustic
Music, Bourges, 1996.
- 32
-
Xavier Serra.
Current perspectives in the digital synthesis of musical sound.
Formats, 1, 1997.
- 33
-
Denis Smalley.
Spectro-morphology and structural processes, pages 61-93.
Harwood Academic, 1986.
- 34
-
Denis Smalley.
The Listening Imagination: Listening in the Electroacoustic
Era, chapter 26, pages 514-554.
Routeledge, London, 1992.
- 35
-
Denis Smalley.
Spectromorphology: explaining sound-shapes.
Organised Sound, 2(2):107-126, 1997.
- 36
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Julius O. Smith.
Viewpoints on the history of digital synthesis.
In Proceedings of the 1991 International Computer Music
Conference, San Francisco, CA, 1991.
- 37
-
Julius O. Smith.
Physical modeling synthesis update.
The Computer Music Journal, 20(2):44-56, 1996.
- 38
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John Strawn and James F. McGill.
Digital audio engineering : an anthology.
Computer music and digital audio series; [v. 3]. W. Kaufmann, Los
Altos, Calif., 1985.
- 39
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Bob L. Sturm.
Sonification of particle systems via de broglie's hypothesis.
In Proc. of the Int. Community for Auditory Display Conf,
Atlanta, GA, USA, April 2000.
- 40
-
Bob L. Sturm.
Composing for an ensemble of atoms: the methamorphosis of scientific
experiment into music.
Organised Sound, 6(2):131-145, 2001.
- 41
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Bob L. Sturm.
Synthesis and algorithmic composition techniques derived from
particle physics.
In Proc. of the Eighth Biennial Arts and Tech. Symposium, New
London, CT, USA, March 2001.
- 42
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Tero Tolonen, Vesa Välimäki, and Matti Karjalainen.
Evaluation of modern sound synthesis methods.
Report No. 48, Helsinki University of Technology, Department of
Electrical and Communications Engineering, 1998.
- 43
-
Barry Truax.
Acoustic communication.
Ablex Pub., 2001.
- 44
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W. Luke Windsor.
A Perceptual Approach to the Description and Analysis of
Acousmatic Music.
PhD thesis, City University, London, 1995.
- 45
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W. Luke Windsor.
Perception and Signification in Electroacoustic Music,
chapter 7.
Edinburgh University Faculty of Music, 1996.
- 46
-
W. Luke Windsor.
Through and around the acousmatic: the interpretation of
electroacoustic sounds, chapter 1.
Ashgate, London, 2000.
- 47
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Trevor Wishart.
Sound symbols and landscapes., chapter 3.
Harwood Academic, New York, 1986.
Índice de Materias
INTRODUCCIÓN A LA MÚSICA COMPUTACIONAL
SuperCollider: Procesador de efectos genérico
  Índice General
  Índice de Materias
Copyright © 2008-06-05
Rodrigo F. Cádiz
-
Centro de Investigación en Tecnologías de Audio,
Instituto de Música,
Pontificia Universidad Católica de Chile